Singer of European origin but established in Canada, PARIS BLACK (seems to be his real name) released this self-titled album - his second - in 1990, as far I know only in North America. According to the era with solo artists, the idea was to provide a solid backbone of session musicians and skilled songwriters, a pristine production, and an overall commercial sound. "Paris Black" is a typical product from the late '80s with a Hi-Tech / light AOR sound, and while these genres have been previously presented on the blog, this should be the more poppy CD ever posted here.
As said, Paris got song contributions from the likes of Michael Bolton, Bob Halligan Jnr, The Arrows' Dean McTaggart, Diane Warren, David Roberts and more, so there's good penned music on offer here. Paris' vocals are smooth & clean, and the general arrangements are centered around synths, lots of synths, electronic drums, light guitars and nice backing vocals. Think Rod McInnes, Keven Jordan, Alan Frew solo, but even more light. There's upbeat numbers, some breezy ballads and a couple of danceable tracks that I don't care much, but all really pleasant, working great as background music.
"Paris Black" is a cool album, really well produced with 'that' clinical precision, nothing outstanding yet enjoyable nonetheless. Never reissued, it has become a rarity scarcely ever seen at auction sites.
01 - Conspiracy 02 - Heaven Sent 03 - My Heart Is Still Young 04 - Letting Go 05 - Barely In Love 06 - Danced In My Direction 07 - I Don't Wanna Be Your Friend 08 - Bang Bang 09 - Don't Say Goodnight 10 - If I Could Dance With You 11 - Every Emotion
Paris Black - Vocals Richard Buck, Guido Diodati, Mark Berry - Keyboards, Bass, Drums, Percussion Larry Mancini - Guitars John Bianchini - Guitars, Mandolin George Orphanos - Guitars, Side Guitar Valerie Hallman - Vocals (duet on 3) Martin Davio - Sax Kenny MacLean (Platinum Blonde), Lorraine Scott, Marcia English, Dean McTaggart, Keith Powers, Paris Black - Back-Up Vocals
Swedes 220 VOLT released three quite good albums at the beginning of the '80s, with a classic Euro metal sound similar to the first Europe. But in the middle of the decade, their recording label saw a strong potential in 220 Volt to be launched on the prosperous American market. So the band decided to re-work their sound into a marvelous, Scandinavian-style Melodic Hard Rock.
"Eye To Eye" was the result, and believe me, if you never heard this album you're missing something great. With the extremely talented Max Norman (Ozzy, Coney Hatch, Y&T) producing, mixing and engineering, 220 Volt obtained a punchy, glossy, awesome polished sound ready to conquer the world. Released in Europe in 1988 "Eye To Eye" was pretty successful, with its consequent US / Canada edition the following year (actually there were few months in between) and different artwork.
What can I say about the songs... all are killer, prime Melodic Hard Rock numbers. One of the highlights opens the album in the form of the moving "The Harder They Come", followed by another blast in "I'm On Fire". A favorite of mine is the AORish "Beat Of A Heart" with some Def Leppard on it, and then title track is one of the more elaborated MHR tunes ever produced by the band with a Treat / Return feel and a terrific chorus. Next, "Love Is All You Need" is a golden Scandi mid-tempo AOR power ballad with ethereal keys and skyscraper vocals. If these initial monster 5 songs does not hit you, you don't like this musical genre. Those are what '80s Melodic Hard Rock is all about.
More quality follow with the catchy "Live It Up", 220 Volt show some of their Euro metal past on the heavier (but melodic) "Dog Eat Dog", while the pretty Americanized "Dangerous" brings to mind Ratt and alike. Then arrives another absolute highlight: "Still In Love", one of the best '80s ballad ever created and criminally ignored on every 'best of' ballad list. It's elegant, melodic, plenty of harmonics and a pristine production. "On The Other Side" is a cool rocker only appeared in the American release, hence, it's very 'Californian' with hair metal choruses all over.
The gem that is "Eye To Eye" needed a remastering, and it happened in 2003 with this now out of print, limited release by US label Power Play Records (officially licensed by Sony Music). The remastering is excellent, fuller and balanced. The reissue features 2 exclusive bonus tracks; the really worthy melodic hard rocker "Criminal" pumped by a huge rhythm section and driven by great guitars, and a remix of the diamond "Still In Love".
It's a shame this remastered reissue is deleted now, as the album has become extremely hard to find. The only thing I do not like it's the re-vamped artwork that does not reflects the melodious music packed inside. I prefer the much better original European cover. "Eye To Eye" is an awesome record, a must have in your Melodic Hard Rock / AOR collection.
01 - The Harder They Come 02 - I'm On Fire 03 - Beat Of A Heart 04 - Eye To Eye 05 - Love Is All You Need 06 - Live It Up 07 - Dog Eat Dog 08 - Dangerous 09 - Still In Love 10 - Money Talks 11 - On The Other Side 12 - Criminal [Bonus Track] 13 - Still In Love (Remix) [Bonus Track]
Joakim Lundholm - Lead & Backing Vocals Peter Olander - Guitars, Backing Vocals Mats Karlsson - Guitars, Keyboards, Backing Vocals Mikael Larsson - Bass Peter Hermansson - Drums Max Norman - Backing Vocals Michael Reiter - Backing Vocals on 7
LIONEL'S DAD is the pseudonym of songwriter / multi-intrumentalist Mark Towner Williams, a complete musician and Music Industry veteran, who has worked with the likes of Paul Rodgers, Eddie Money, Don Henley, Tina Tuner and many more, as session or touring musician. Mark is primarily drummer, studied with Joe Porcaro (Jeff's father) and attended Berklee College of Music, and most notoriously, he's the brother of Toto's lead singer Joseph Williams. He wrote songs for both, among other well known acts. But in the middle-90s it was time for his own, adopting the recording name of LIONEL'S DAD.
"Driving Music" is the second LIONEL'S DAD album, and perhaps the best of all recorded by Mark T. Williams. He plays almost all of the instruments here, and also sings very well with a vocal style & timbre similar to brother Joseph Williams. Musically, as you would suspect, this is classy Westcoast L.A. AOR with some classic rock touches here and there, always around sweet and elegant melodies.
Tracks like opener "Looking For An Answer" or "Once You've Got The Fire" instantly makes you think of Toto or Joseph Williams solo, but Mark is much more expansive. As example, "I'm Falling For You" has a melodic radio-oriented sound with some early REO Speedwagon on it, the mid-tempo feelings of "Let Me Be The One" brings to mind Ned Doheny, and "I Can't Tell You Tonight" is not far from Jay Graydon's book.
"Driving Music" is indeed a driving, uplifting collection of beautifully arranged and performed songs. Production is not huge and glossy as the aforementioned acts, the artwork is simple, but its 'homemade vibe' it's exactly what provides the necessary charm to the record. LIONEL'S DAD is a very nice AOR / Westcoast one-man entity, commanded by the talented musician that is Mark T. Williams.
01 - Looking For An Answer 02 - I'm Falling For You 03 - Let Me Be The One 04 - Can't Keep Up 05 - You Got What You Wanted 06 - It Was You 07 - Once You've Got The Fire 08 - Free Your Love 09 - I Can't Tell You Tonight 10 - I Could Read Your Mind 11 - R.T.H.D. 12 - Our Love's Too Strong 13 - She's Gone
Mark T. Williams:Vocals, Guitars, Bass, Keyboards, Drums, Percussion James Welch:Guitar solo on 1, 11 Diane Adams, Jeannette Clinger, Cliff Rehrig, Jamie Segal:Backing Vocals
Re-posted as requested, for its collectors item status
The only FIONA Flanagan live performance ever recorded - taped at Halendale, Florida, 1985, during Fiona's first US tour featuring amazing guitarist Bobby Messano - was pressed on vinyl by 'ABC Rock Radio Network / The King Biscuit Flower Hour' for a radio broadcast (not for sale), including 6 tracks.
This is the Full Concert taken from the ABC vaults: 11 tracks, including 3 songs never appeared on any Fiona album. The funny thing is that since posted here on the blog for the first time back in 2009, some people has pressed it on CD and put it on sale at various auction sites. Even it's listed on Fiona's Official Fan site as an official release.
Truth is this recording never was released, it's one of the gems from my personal collection. I've made my own artwork emulating the front / back covers from the era and many official King Biscuit Flower Hour releases, and looks like a 'real' one. The sound quality is really good, and the performances, quite hot and rocking. VERY RARE
01 - Wild Nights 02 - You're No Angel 03 - James 04 - Keeper Of The Flame 05 - Broken Dreams 06 - Heaven On My Mind 07 - Talk To Me 08 - Na Na Song 09 - Rescue You 10 - Hang Your Heart On Me 11 - Line Of Fire
MICHAEL PATTO is a British musician, songwriter and producer. Born of Mike Patto Snr. who was a highly respected Rock musician (Spooky Tooth, Patto, Timebox, Boxer), Michael started out on bass but switched to piano in his late teens and soon began to write his own songs. Patto was signed by a major label aged 20 and released this "Time To Be Right", however soon decided to move on and started his own recording company, being involved with some of the finest talents from the UK music scene.
His one and only album as solo artist, "Time To Be Right" is a soft breeze of genres mixing stylized pop, soul and smooth Westcoast. There's several pieces of fine Euro-pop on songs like "So Much For The Lovin´", "Few Good Moments" or "What Can I Do". But also a strong Westcoast feeling on "Calling", the smooth "The Very Thought Of You" and "Don't Say A Word". The ballad "Hold On" sounds pretty American L.A. session style.
"Time To Be Right" features some kind of musical waves not usually associated with this this blog, but it was requested by a reader and it's extremely hard to find. Also included as bonus are 2 different versions of the track "So Much For The Lovin` ", taken from the single CDs of the same name. It's a nice, relaxing piece of music, very well performed, recorded and produced. CDrip at maximum quality including artwork. RARE.
01. So Much For The Lovin' 02. Calling 03. Few Good Moments 04. Hold On 05. Paradise Has Gone 06. (I've Got) Love Enough For Two 07. Time To Be Right 08. The Very Thought Of You 09. What Can I Do 10. Don't Say A Word bonus: 11. So Much For The Lovin' (7'' version) 12. So Much For The Lovin' (Radical Mix)
Michael Patto: Vocals, All instruments Session Musicians: unlisted